about the talking fish

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Writer. Wheelman. Occasional DIY mechanic. Walking collection of hang-ups. Hopeless romantic. Old-school. Analog soul in a digital world. I am all of these things and more.
Showing posts with label TV. Show all posts
Showing posts with label TV. Show all posts

Saturday, December 19, 2009

On this new frontier...what 'bout my star?

True friends of mine know that I am a sucker for the anime "The Super Dimension Fortress Macross" from 1982. The mix of space warfare, transforming planes and robots, an engaging love story and a huge slug of J-pop music made it an instant classic.

Twenty-five years later, Shoji Kawamori and Studio Nue made a brand-new series set about 50 years forward: "Macross Frontier." And dare I say, this is even better than the original.

"Frontier" builds on trademark Macross fare and gives it its own spin with a new direction. It's undeniable that the graphics and animation have improved a lot, thanks to computer-generated footage of the VF-25 Messiah fighter planes in action against the insect-like Vajra alien force. However, the real triumph of "Frontier" over "SDF Macross" lies in its characters.

The main love triangle plays out between pilot/student and former Kabuki actor Alto Saotome, amnesiac aspiring singer Ranka Lee, and the famous pop idol, Sheryl Nome, dubbed the "Fairy of the Galaxy." Interestingly, neither of the two girls resorts to disrespect or catfights. At the core of their relationship is a deep friendship and respect for each other, most evident in how Sheryl directly inspires Ranka to pursue her dream. It just so happens their friendship has Alto as a very huge part of it - he sees through Sheryl's fame and Ranka's clumsiness.

My favorite character however has to be sniper Michael Blanc. An incorrigible flirting playboy, he is actually the most perceptive and sensitive of the feelings building up between our main characters. He challenges the conviction of Ranka's singing ambitions, proves Alto's mettle in joining the private military company SMS, and aids Sheryl when her health and fortunes deteriorate.

As great as the music in "SDF Macross" was, "Frontier" just blows it out of the water. Since there are two pop idols in the series there is a much greater spectrum of songs on tap. Sheryl's sultry, sexy yet emotional high-BPM performance, sung by May'n, is tempered by Ranka Lee's innocent, bubbly but longing pop melodies, performed by Megumi Nakajima. Almost everything is composed by now-legendary anime musician Yoko Kanno, too.

I cannot recommend this title enough. Don't be put off by the eye candy. "Macross Frontier" is a masterfully crafted show.

Tuesday, June 03, 2008

Rediscovering TV

Thanks to that week-long bout of vertigo, I've basically stayed away from the home computer over the past couple of weeks. Initially it was for fear of having my head spin again, but now I can say it's because I've seen the shows I was missing the whole time I was drowning my time online.

In addition to "House" I'm now following "Chuck" and "Terminator: The Sarah Connor Chronicles." The first series is endearing and funny, while the product of James Cameron's imagination makes for pretty interesting television, too.

I'm discovering a few hidden gems, too. I've often looked down on the Ultraman series for being predictable, but "Ultraman Nexus" has changed that. For once, here's an Ultraman series that doesn't consider our familiar red-and-silver giant as an automatic ally. The TLT Night Raiders task force in "Nexus" considers the silver giant just as dangerous as the space beasts he fights against. There's an atmosphere of distrust, paranoia and conspiracy in "Nexus" that makes for very interesting watching. The Ultraman elements are there, but it's much less of a "monster-of-the-week" sort of thing and more resources are devoted to developing our characters and story over many episodes.

And, despite not watching the series, I found the "Sex and the City" movie well-written and entertaining enough to watch it in the cinema twice.

Wednesday, April 16, 2008

Of loneliness, insignificance and Macross

By all accounts, I should be sad. I just conceded whatever chance I had with Denise. I should be mourning.

But you know what? I'm not sad at all. Maybe I've grown a bit in all those years. I refuse to get bogged down by heartache and disappointment any longer. I can close this chapter of my life without regrets because I know I tried my best. Perhaps it took me too long to call it quits, but that's no longer important.

Next to what happened to PJ, my troubles are nothing.
===

I got a welcome surprise on YM the other day. My old friend Grace buzzed me...and after some distance between us over the past few months, I truly missed her.

We've had our misgivings and problems, but underneath it all I guess she and I are kindred spirits. We both know how demoralizing loneliness and sadness can be, how it can push us to do really stupid things in an effort to get it out of our system. Although we're doing better now, we still have bouts of that evil emotion from time to time.

Perhaps this time, we can be each other's crutches.
===

I want to watch Macross again.

I want to believe that a love so pure and untainted truly does exist, even if I already have too much knowledge to the contrary.

I want to meet my own Misa Hayase.

I want to believe that love can prevail even in the midst of sheer disappointment and after lots of effort, the same kind of effort Misa put in for her beloved Hikaru.

Macross is a boyhood dream, I guess. What's so wrong in believing in it once again?

Sunday, March 23, 2008

Zero-G love fills my head

Most people know me as a huge Gundam fan. However, even before I saw one frame of animation from the seminal Japanese mecha series, I had already seen and been astounded by the second most famous: The Super Dimension Fortress Macross of 1982.

At the time I saw it in 1995, I was still about twelve years old, and I had seen it as part of the heavily edited "trilogy" anime Robotech. Robotech, as you may know, is a patchwork made up of three totally unrelated anime (including Super Dimension Cavalry Southern Cross and Genesis Climber MOSPEADA), adapted and rewritten to become one continuous story. As good as Robotech was, I wanted to see how director Shoji Kawamori originally intended Macross to be.

Given my exposure to Robotech, it certainly was hard to recognize at first. I noticed it shared a lot with the original Mobile Suit Gundam series of 1979: a distinct late-1970s musical vibe, some dodgy animation compared to today's standards, and an enduring appeal. Music greatly defined Macross, and while Robotech pared down on Lynn Minmay's translated songs and introduced American 1980s battle themes, the original series has a lot of blaring battle horns and gives us the full gamut of Lynn Minmay's songs in all their aural glory, as sung by Mari Iijima. Her sheer volume of songs in this series alone could easily fill a short CD, or comprise 2/3 of a long one.

Macross' trademarks are its transforming VF-1 Valkyrie fighter planes, and they're still as amazing to watch as ever. But the real reason why Macross is so desirable is its love story---it takes as much importance as the space war drama.

The complex interplay between Valkyrie pilot/protagonist Hikaru Ichijo, pop singer Lynn Minmay and superior officer Misa Hayase really influenced me as an adolescent. Between them, all kinds of awkward situations conspire to keep lovers apart, or prevent them from being honest about their feelings, and we see the poignant consequences. In the instant death of the battlefield, we are taught to seize the day as it comes and live it as fully as we can. If Mobile Suit Gundam had mortality as its major humane element, Macross has 1980s-style romance...and really, really good music. So good, in fact, that it becomes a shock-and-awe weapon against the gigantic Zentraedi aliens. I kid you not.

I cannot recommend this classic TV series enough. It was a big part of me while growing up, and it still is today.

Friday, November 02, 2007

Mushy rush

I just finished watching the anime "REC."

It's the story of Aka, a struggling red-haired seiyuu (voice actress) who aspires to emulate Audrey Hepburn, and Matsumaru, an equally struggling advertising man in a snack food company. Both awkward and shy, their lives intersect when Aka's apartment goes up in flames after their initial date over beer and chicken. Matsumaru offers to take her in...and thus starts the chain of events that becomes their adventure.

It's been a long, long while since an anime made me feel this nice; I haven't felt this mushy rush since "Chobits." In a culture and place like Japan, where work takes precedence over almost everything else, "REC" features just how hard it is to start a successful relationship, let alone maintain one.

The theme is nothing new, as is the story, so what "REC" has going for it is its charm. Aka changes her voice whenever she quotes Audrey Hepburn's movie lines, and Matsumaru's introverted nature gets him in all sorts of trouble. The two characters just work, and "REC's" short run (an episode has two 15-minute chapters) keeps it peppy and fresh, just the right amount of mushy. Despite the brevity, the series covers all the bases.

This was really fun. I'd like to see more of these.

Saturday, July 07, 2007

And now, a word or two from my favorite TV show

It's a basic truth of the human condition that everybody lies. The only variable is about what. The weird thing about telling someone they're dying is it tends to focus their priorities. You find out what matters to them. What they're willing to die for. What they're willing to lie for.

- Dr. Gregory House, "House," season 1 episode 21

I thought you were too screwed up to love anyone. I was wrong. You just couldn't love me. It's okay. I'm happy for you.

- Dr. Allison Cameron, "House," season 1 episode 22

Monday, June 11, 2007

The trouble with being different is...

"...despite every positive aspect, it's all too easy to highlight something negative."

Autocar UK wrote this on their road test of the Mazda RX-8 around four years ago. The RX-8 is a convention-bending car: it's a coupe but comes with four doors, has no B-pillar, seats four people, and to date is the only production car powered by a Wankel rotary engine.

So what are the negatives? Well, no B-pillar means its bodyshell tends to flex more than its competitors, which detracts from ultimate handling. And while the twin-rotor Wankel develops 228 BHP from 1.3 liters of displacement, it's got precious little torque, requires frequent oil changes...and let's face it, rotary engines were never fuel-economy champions.
***

The same can be said of "Turn-A Gundam," which I finished watching just this morning. Gundam as an anime franchise is known as a space war opera with cool-looking giant robots and lots of action. Turn-A doesn't fit in this mold at all.

A post-apocalyptic story with great emphasis on surviving with 20th-century technology and peace negotiations between the Earth and the Moon, it's the most akin to a Hayao Miyazaki movie out of all the Gundam TV series. Let's face it, you don't expect hulking robots to act as bridges and save cows---oh no, you'd expect them to beat the mechanical crap out of each other. And speaking of robots, the mobile suits in Turn-A are as far removed from a traditional Gundam as they come, as they were designed by American Syd Mead of "Blade Runner" fame. Mead's design of the Turn-A Gundam has a distinctive upturned crescent beard---enough to have Gundam fans crying sacrilege.

The tradition set by other Gundam series prevents others from appreciating "Turn-A Gundam" on its own merits. Yes, it's almost Miyazaki-like in pace and tone; that doesn't mean it's a bad series. If anything, "Turn-A" is the series that places the most emphasis on the characters---from front-line soldiers to the civilians to the politicians behind the conflict. It certainly drags at first, and its weirdness won't endear it to many, but "Turn-A Gundam" is proof that the franchise was at one point a human story, not simply a tool to sell kits and merchandise.
***

I wonder if the same rule applies to me. I wonder if I am so different from other people that they don't even bother to look for anything positive; all they see is the usual unfavorable first impression I make.

Friday, March 16, 2007

Thinking aloud, rambling aloud

For once, I don't know what to write about. What do I ramble about today?

I guess I could talk about my plans for the weekend. Since the Jazz is actually 4,000 km overdue for a tuneup, I'll probably waste my Saturday morning and afternoon waiting for that to finish. I suppose Honda Makati's high cost for sloppy service won't change any time soon, but I figure the Jazz still needs it as it's two years old and still within warranty period. Maybe I could spring for a replacement buckle/anchor for the rear center seatbelt...the one the previous owner crushed out of commission.

After that...I hope to make it in time for the DLSU Pops Orchestra's major concert in the evening. I want to see how they're doing. I hear Rachel and the gang might be coming over as well, so who knows? It might turn out to be one of those little reunions.

Sunday marks the beginning of the 2007 Formula 1 season, beginning as usual with the Australian Grand Prix in Albert Park, Melbourne. This marks the ninth year I've been following this sport. I haven't been informed over its off-season because it's boring to listen to tales of winter testing. However, I can't deny that the first season without Michael Schumacher should be interesting to watch, especially as things seem to have been thrown in the air and let fall where they may this time around.


I've finished watching season 2 of House. While House and Cameron's relationship was on the back burner this time, a whole other smattering of dramatic events have happened. My favorite episode has to be the "Euphoria" two-parter, where I broke into tears when a dying Foreman regretted his greed and apologized to Cameron in a poignant scene. He even trusted her enough to name her as his medical proxy over his dad.

Unfortunately, the season 3 DVDs I got run only until episode 6---nowhere near complete. I guess I'll have to find another distraction for now. Maybe I should finish watching Turn-A Gundam instead?


Had I not moved from the ensconced but lonely cubicle I was assigned to a few months ago, I doubt I would get to know my team leads any better. I realize the move was actually a good thing for me. I'm a little more inspired these days because despite their responsibilities, I got to know my superiors a lot better. Paolo J., Chielou, Jenny, Tri and Cel are interesting people in themselves who know how to have fun and have a good laugh every hour.

Slowly I've also realized they have problems of their own, and lately I've been fortunate enough to have some of them share their pain with me. Despite age and career level differences, I found that we're not really all that different.


I'm a little sleepy now...

Wednesday, March 07, 2007

Staying inside the 'house'

I've been silent for a while on this blog. I sort of figured you hundred-something guys who view this blog every week might be sick of me moping my sorry ass off, so perhaps I should give you a break from me.

Then again there's also another reason why I've been off the Internet for a few days. I finally scored DVDs of House and I've been watching them on a staggered marathon session. By "staggered" I mean I watch a bunch of episodes, sleep, and when I get up early enough I sneak in one episode before I haul my ass out of bed to take a bath and prep myself for work.

I'm hooked.

I literally postponed sleep to see episode 20 of season 1, where House and Cameron go out on their promised date. I was on the bed, smiling like a giddy fool because I wanted to see what happened between them. I am amazed by how they solved their baffling medical mysteries too, but the real stars are the team of doctors that make Princeton-Plainsboro Teaching Hospital an interesting place to be in.

Season 1 has been put to bed rather prematurely (it turns out I've seen quite a few episodes on cable already) and I've started on the first few episodes of season 2. So far so good. House is one of the only things I even bother to watch on TV these days that isn't related to sports, and now that Monday nights are for sleeping in early, watching it on cable isn't exactly a very good option.

Tuesday, February 06, 2007

How a primetime game show just exposed our politicians

With the elections drawing near, I think there’s no better representation of most of our politicians than tonight’s game of Kapamilya Deal or No Deal.

A barangay captain was playing this time. Whatever winnings he had would supposedly go to his constituents in some province in the Visayas that speaks the Ilonggo dialect. Apparently these poor people had so many problems in their area so this seemed like a magnanimous gesture on his part.

Now, I didn’t catch the beginning of the game, but I had seen what was arguably the pivotal moment. All that remained unopened were the briefcases with PhP1, PhP10, PhP300,000 and PhP1 million, and of course, one of them was with our Mr. Barangay Captain. The banker called up host Kris Aquino with his offer to buy the contestant’s briefcase for PhP280,000, and so Kris went with her usual question: “Deal or no deal?”

The show had a video feed of his constituents watching him play. The contrast between them and the studio audience was like night and day. The live audience had its arms akimbo, waving “no deal” (such gung-ho riskiness is typical from them nowadays), but every one of his constituents had thumbs raised and yelling “Deal!”

I could have sworn I saw the greed in his face when our barangay captain said “No deal.”

The briefcase he chose to open next had the PhP1 million. And yet, I could have sworn I saw the same greed again when he stubbornly said “No deal” on the banker’s next offer of PhP90,000—markedly reduced, but still an undeniably sizable amount of money.

To make a long story short, the man chose to fight for his briefcase…and it contained a measly PhP1.

You should have seen how his constituents held their heads in disgust.

He had let them down because of his greed. And yet, after it was all said and done, he still had the gall to put on this depressed act and say “I really played for you guys.”

What a bunch of crap.

The man just could not admit that he was exposed on national TV for the selfish bastard that he was. The man just could not admit that he got carried away by the lure of money, that he conveniently forgot that he was still the captain of his barangay.

This is just one barangay captain, folks. Imagine how greedy our other politicians are…especially those whose asses are perched on high-ranking positions.

Voters, choose your poison well.

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